Friday, May 1, 2015

An Illustrated History of Jonah Hex (Appendix A)



Appendix A: Service Record of Lieutenant Jonah Woodson Hex,
4th & 7th Cavalry, Confederate States of America

*Note: This section contains references to stories not yet covered
in the main history project.*

On April 12, 1861, the newly-formed Confederate Army opened fire upon Fort Sumter in South Carolina.  Tensions had been high between the North and South for months, and the arrival of a simple supply ship at a Union-occupied fort within Southern borders was the last straw.  The fight lasted only a day, with the only fatalities occurring during a flag-lowering ceremony inside the fort on the 14th, when an accidental explosion killed two Union soldiers.  These were the first two men to die a in a civil war that would last for almost exactly four years and leave an indelible mark upon the country that can still be seen today.

Seeing as how Jonah Hex literally wears his participation in that conflict upon his sleeve, it seems proper to devote some space exclusively to the character's wartime experiences.  Over the past four decades since his creation, there have been multiple mentions of those experiences by both Jonah himself and other characters, but when you compare those mentions against the real-life historical record, certain questions arise.  Could Hex have really participated in all the battles he's supposedly been in?  How did he end up serving in two different cavalry regiments, and what state were they based out of?  And most importantly, why did Hex side with the Confederacy when he was against slavery?

What follows is a unofficial timeline of events based on what evidence we have, starting with an incident that occurred a couple of years before Fort Sumter...

1859: The Death of Cassie Wainwright - Like many future Confederates, Hex had spent some time with the Union Army, though in his case, he never officially joined.  His experience on the frontier led to him becoming a scout at an unnamed fort under the command of Colonel Marcus Wainwright, somewhere in Comanche territory (which encompassed a rather large area between Kansas and northern Texas by this time in history).  It was there that 21-year-old Jonah became engaged to Cassie, the colonel's daughter, who was fated to die thanks to the greed of a half-dozen other scouts that robbed the regiment's payroll (see Jonah Hex #65-71 for more on that).  Why does our timeline start here?  Because it's the last dated event in Hex's personal history prior to the Civil War.  There's a two-year gap between him vowing revenge on the men who left Cassie to die and his first dated appearance in Confederate gray, which took place during Christmas 1861 on the Turnbull plantation located in Richmond, Virginia (as seen in Weird Western Tales #29).  We have no idea what happened to him between Point A and Point B: he made a comment in JH#65 that he had been hunting those men right up until the War broke out (and having no luck at all in locating them), but where exactly did that hunt lead him?

The narrative in Jonah Hex (vol.2) #36 mentions that "there is no record of his having owned slaves or his living among the Southern community with which he chose to align during the conflict."  I take that to mean Jonah was living an itinerant lifestyle prior to the War, with no fixed address nor a steady job.  This fits with the notion of him spending every waking moment tracking those former scouts, and it's pretty much the same way he lived his life after the War.  Despite any lack of official record putting him in the South pre-1861, I do believe that, at some point during his wanderings, Jonah not only ended up in Richmond, he also met and befriended Jeb Turnbull.  Sadly, the majority of tales involving Jeb are flashbacks revolving around the Fort Charlotte Massacre, so our knowledge of the young man prior to his death is scant.  However, we do have a lot of personal interaction between Hex and the Turnbulls in the aforementioned WWT#29, and going by some of the lines spoken during those scenes, it gives the impression that Jonah was a familiar face in their household long before the War broke out:




In retrospect, it's certainly strange to see Quentin Turnbull being so friendly with Jonah Hex, but I imagine that friendliness is why Quentin took Jonah's "betrayal" so badly.  We'll discuss these scenes -- as well as Fort Charlotte -- a bit more later on, as we need to move on right now to the next landmark on our timeline.

April 17, 1861: Virginia Secedes from the Union - Occurring just five days after the Battle of Fort Sumter, this would've been a rather significant moment in Jonah's life, presuming that he was indeed in Virginia at this point in time.  The Civil War was just getting started, and Jonah would soon have to choose which side he was on.  Keep in mind, however, that not everyone in Virginia was in favor of secession (what we now call West Virginia was originally formed by the northwestern counties that wished to stay with the Union), so just because Jonah may have been on Virginia soil doesn't mean he automatically had to join the Confederacy.  Even if we try to take into account what state Jonah may have truly considered "home" as a possible influence on his decision, the waters just get muddier: Joe Lansdale personally characterized Hex as a fellow native of Texas (which seceded in February 1861), while Jimmy Palmiotti & Justin Gray revealed in All Star Western #0 that Jonah had been born in Missouri (a slave state that remained loyal to the Union) and lived there for a decent portion of his childhood -- his family eventually moved to Colorado, a territory that (according to JHv2#36) eventually sent four thousand men to serve in the Union forces.  And of course there's the fact that Jonah was formerly a slave to the Apache...why would Jonah fight to keep others in chains, having experienced it himself?  Luckily, Jonah himself speaks very plainly on the subject at hand in Jonah Hex: Riders of the Worm and Such #2:




Though that comic came out in 1995, the attitude expressed within it can be seen throughout every decade of Hex history: his unshakeable devotion to whatever he believes to be right, as well as his lack of any racist tendencies (or as Bat Lash put it in Jonah Hex (vol.2) #24, Jonah has a "policy of hating all men equally.").  So it's safe to say that, at the start of the War, slavery was a non-issue for Jonah Hex.  He simply disagreed with what he saw as the North's policies oppressing the South, and felt that the Yankees should mind their own damn business, therefore he joined the Confederacy to defend the South's right to make their own decisions (there's also the ironic possibility that the Turnbulls -- a slave-owning family living in what would become the capital of the Confederacy -- may have influenced Jonah's decision).  In April 1861, this probably seemed like the most logical choice, but in a couple of years' time, that choice would come back to haunt him.

September 1861: Organization of the 4th Regiment, Virginia Cavalry - Here's one of the points where Jonah's fictional life unravels under careful scrutiny.  We were first told in Weird Western Tales #29 that Jonah was a member of the 4th Cavalry (no state listed), but by Jonah Hex #13, references begin appearing for the 7th Cavalry (again, no state listed).  The 4th Cavalry isn't mentioned again until Jonah Hex (vol. 2) #46, when Jimmy Palmiotti & Justin Gray retell some of the events of WWT#29, namely the Fort Charlotte Massacre (oddly enough, Michael Fleisher himself retold those events in JH#35, but Jonah's inexplicably said to be in the 7th that time around!).  There are few other references to Jonah's cavalry regiment during Palmiotti & Gray's run, but when it does come up, they put him with the 7th again (with the exception of JHv2#70, where they toss out a claim that Jonah was in the 66th Infantry, but since that issue was one long hallucination, I ain't gonna take it as gospel).  Aside from those two mentions -- both of which involve Fort Charlotte -- the 4th Cavalry is nonexistent in Hex history, and could be written off as a continuity error if not for the real-world connections that regimental number has to the Civil War.

Historically, there was both a 4th and 7th Regiment in the Virginia Cavalry.  Records state that the 7th Cavalry was made up mostly of men from the northern Virginia counties, as well as some from Maryland and what is now West Virginia, whereas some members of the 4th Cavalry were recruited from the city of Richmond, as well as a few central counties.  With our previous presumption that Jonah was in Richmond when the War broke out, it seems likely that both he and Jeb would've been assigned to the 4th when they joined up.  When you take into account that there's no mentions of Jonah participating in any battle prior to September 1861 -- when the 4th completed its organization -- the likelihood rises even higher, especially since the 7th was organized in May 1861, meaning those men were possibly on the frontlines for four months before Jonah, Jeb, and the rest of the 4th was ready to go.

Speaking of which, there is a scene at the beginning of Jonah Hex: Riders of the Worm and Such #1 where Jonah is tending to a dying friend, a former private by the name of Tex Smith.  Smith asks Jonah to mark his grave with the sword he got off of a Yankee at First Manassas (or as it's known in the North, the First Battle of Bull Run).  This battle took place on July 21st, so obviously Private Smith was in the fight by then, but that doesn't necessarily mean Jonah was as well: there's no dialogue in the scene that implies Jonah was present at First Manassas/Bull Run, nor are there references in any other comic to his participation in that battle.  So while the two men knew each other, and possibly met during wartime, they may have not have served in the same unit...or at least, they may not have at the beginning of the War.  Due to mergers and reassignments, not every man ended their service in the same unit they started with.  That's the most likely real-world reason why Jonah Hex would have two different cavalry numbers attributed to him: he started his Confederate military career with the 4th, and ended it with the 7th.

December 25, 1861: Slave Revolt on the Turnbull Plantation - The first eight months of the War were somewhat quiet, with only a few major battles noted in the history books, none of which we have specific record of Jonah participating in.  We don't know how much action he and Jeb Turnbull had seen by the time Christmas rolls around, but when they go back to Richmond, Virginia on a three-day pass and visit Jeb's father Quentin in WWT#29, we can tell by the three chevrons on their left sleeves that the two young men have both achieved the rank of sergeant.  They gave Quentin a gift upon arrival: an eagle-headed cane that belonged to a Union general, though it's not said how exactly they obtained it, nor which general it belonged to.

By that evening, their joyous reunion was interrupted by some newly-purchased slaves who'd stolen rifles in an attempt to overthrow their masters, killing at least two hired hands and setting fire to the barn in the process.  Jonah joined the Turnbulls in quelling the revolt, but he didn't look too pleased with himself when he gutshot one of the slaves, nor did he agree with the brutal flogging that Quentin administered on the slaves afterward.  It's likely that, when he and Jeb returned to their unit, Jonah was a little more aware of the true stakes involved in this War, and a silent battle with his conscience had begun.

April 6-7, 1862: Battle of Shiloh - In "The Last Bounty Hunter" (from the legendary Jonah Hex Spectacular) George Barrow claims that his father fought alongside Hex at Shiloh -- AKA the Battle of Pittsburg Landing -- in Tennessee.  Sadly, this is a throwaway line, with no wartime flashbacks involved -- nor is there a real-world record of either the 4th or 7th Virginia Cavalry participating in that battle -- so we can neither confirm nor deny the truth of it.  However, if Barrow's father did indeed fight alongside Hex during the War, it does make you wonder if Hex had ever saved the elder Barrow's life in battle, thereby giving him the chance to father the man who'd one day kill Jonah Hex!

September 1862: Hex's Special Mission for "Stonewall" Jackson - Though we can't pin a specific day on this one, we can estimate that the first part of flashback tale related in Jonah Hex #37 occurred right before the Battle of Harper's Ferry in Virginia (that area is now part of West Virginia).  History notes that Major General Thomas "Stonewall" Jackson was attacking Harper's Ferry as early as September 10th, so we can presume this tale begins right around that date.  The flashback shows that both Hex and Jackson were on separate scouting missions at the time, and the young man came to rescue when the general was ambushed by Union troops.  Since he introduced himself as Lieutenant Jonah Hex, we know that his promotion must've come through somewhere in the past nine months (he also says he's with the 7th Cavalry, and there's even a "7" on his uniform collar, but we're gonna ignore all that).  Jackson was grateful for Hex's assist, and soon informed him of the assault on Harper's Ferry, then asked the lieutenant if he was willing to undergo a solo mission, wherein he'd destroy one of the bridges crossing the Potomac River:




As with most Jonah Hex stories, it's doesn't go all that smoothly, but Lt. Hex did indeed blow up the bridge as General Jackson ordered, and even managed to get back to camp for a personal congratulations from the general prior to Jackson's unit moving on.  It's not specified if the general is referring to them advancing on Harper's Ferry, or the mad dash he and his men will make after that battle -- which was over by September 15th -- in order to bolster Lee's troops at the Battle of Antietam (AKA Sharpsburg) in Maryland on September 17th...which leads us to a bigger continuity glitch than that "7" on Jonah's collar.  On the very first page of Weird Western Tales #31, as he rides into the town of Wolverine to visit an old Army buddy named Dave Prentice, he wonders if the man has "changed a mite since we fought the Yankees together at Antietam."  Trouble is, in Jonah Hex (vol. 2) #13, Palmiotti & Gray claim that Jonah was at Fort Donelson in Tennessee on September 18th, which is over 700 miles away from Antietam.  Not even Jonah Hex could cover that distance in one day!

To make this work, we'd have to presume that Jonah is referring not to the famous battle, but to some minor skirmish near Antietam on another date.  We'd also have to presume Jonah didn't participate in the battle at Harper's Ferry at all, save for blowing up that bridge, thereby giving him time to not only rejoin his unit (remember, Hex was on a separate scouting mission when he ran into Jackson, who was not his C.O.), but also about 5-7 days for all of them to travel to Tennessee (we'll even presume there was a train and/or boat involved in that travel, 'cause that's a damn long way to march).  The logistics of this are still close to impossible, but since the next landmark on our timeline has multiple references to back it up, we can't exactly gloss over it.

Mid-September 1862: Raid on Fort Donelson - This incident and the three other landmarks that follow all come from Jonah Hex (vol. 2) #13, the first part of Palmiotti & Gray's "Origin of Jonah Hex" three-issue arc (an abbreviated version of them was included in All-Star Western #0).  Fort Donelson was an actual fort located near the Cumberland River in Tennessee, and was originally held by the Confederates until it fell into Union hands in February 1862 (the battle where General Ulysses S. Grant earned his nickname of "Unconditional Surrender").  A year later, the Confederates tried to take back the fort but failed due to lack of firepower, so we can presume by the dates in this issue that Jonah participated in an earlier attempt to reclaim the fort.  Under the cover of both darkness and a heavy rain, Lt. Hex and two other men snuck onto a Union supply wagon and, once it had been brought into the fort, attacked the guards at the gate so they could let Confederate troops inside.  The incoming Rebs were soon cut down by a Gatling gun, and when the Union officers were examining the dead, the colonel in charge recognized Hex (a year into the War, and he's already got a reputation!).  The colonel ordered his men to bayonet any surviving Rebel soldiers, leaving Hex alive to "make an example of him".

September 18, 1862: Blood Spilled on the Cumberland River - Palmiotti & Gray cite a specific date for this, but it's uncertain how long Hex had been held prisoner at Fort Donelson by this point (it's possible this occurs the morning after the failed raid, since this is a daylight scene).  Clad in only a Confederate flag and tied to a Saint Andrew's cross affixed to a log raft, Hex was whipped repeatedly across the face and chest before being set adrift upon the Cumberland River as a warning to any Southerners who might come across him.  It's unknown how long he spent in that horrific condition, but we can guess by the artwork that at least two full days and nights passed before Jonah was rescued:




By some miracle, the head of the family that found him was a doctor, therefore giving the nearly-dead lieutenant a chance to survive, though that certainly didn't mean his problems were over.

September 22, 1862: Preliminary Emancipation Proclamation Announced - The wheels were actually set in motion as far back as July 1862, but it wasn't until after the Union's victory at Antietam that President Lincoln unveiled the Proclamation to the public.  It should be noted that only those states not already under Union control were affected by the Proclamation when it was finally implemented on January 1, 1863, meaning Tennessee -- a Confederate state under the rule of a Union-backed military government at the time of drafting -- was exempted from this.  Still, the Proclamation was major news no matter where one lived, and the doctor who tended Jonah's wounds just so happened to be reading aloud to his family from an article in the Clarksville Leaf when Jonah woke up from his ordeal (the presence of the newspaper indicates that Hex is still in Tennessee, but he may not be in Clarksville itself), so we can presume this scene in JHv2#13 must've occurred around the same time as the announcement.

January 17, 1863: Hex Rejoins the Fight - Nearly four months pass before we see Jonah again, and though he appeared to be fully healed by this time, he was still staying with the family who rescued him.  Considering that the doctor had previously told Jonah he'd have to leave as soon as he was able due to Union troops moving into the area, this seems odd, and there's even a scene where the doctor's son remarked, "Now that President Lincoln signed papers saying that slaves are ta be set free, I reckon you'd want ta get back ta the Army," followed by, "I don't even know your name."  Admittedly, Jonah's voice wasn't up to snuff yet -- the doctor commented earlier that "I suspect it will remain a coarse whisper" thanks to what the Federals did to him -- but he could talk, not to mention write, so why hadn't he told them his name yet?  More than that, why was he still there if his presence put that family in danger?

This is pure speculation, but I imagine that Jonah had done a good amount of thinking over those past four months about the War and his place in it.  The passing of the Emancipation Proclamation meant that he couldn't ignore the slavery aspect of the conflict anymore, but unfortunately, he was still conscripted to the Confederate Army, and as they point out in JHv2#36, "The punishment for desertion from the Confederate ranks was death", so it's possible that Jonah may've decided the best course of action was to disappear and let his superiors think he was among those killed at Fort Donelson.  Perhaps Jonah had already spoken with the doctor about this decision, as it appears he wasn't a slave-owner himself -- his family resides within a rather large house, but there's no scenes featuring servants of any sort, black or white -- for all we know, Jonah was still there because the doctor was arranging to have Jonah snuck out of Tennessee.  As for Jonah keeping mum about his name, that might've been for the family's safety, in case soldiers from either side came around after he was gone: if they didn't know who he truly was, they couldn't reveal the information.

Even if this was the case, it was rendered moot when a trio of thieves masquerading as Confederate soldiers broke into the house, murdering the doctor and forcing themselves upon his wife.  Jonah killed all three of them in the merciless manner we're accustomed to seeing, and after helping to bury the doctor, Jonah finally hit the road, dressed in Confederate gray once more.  Did seeing those thieves disgracing the uniform sway him to put it on again?  To be certain, the one he was wearing had to have come off one of them, since his had been stripped off at Fort Donelson.

Late-January, 1863: The Fort Charlotte Massacre - There's been three full retellings of this incident over the past four decades of Jonah's publishing history -- WWT#29, JH#35, and JHv2#46 -- with little variation between, but that doesn't necessarily mean we know everything there is to know about it.  For one, we can't pin down exactly where this occurred, as there is no Fort Charlotte listed in any real-world Civil War record.  Historically, two forts in the United States have carried that name -- one near Mobile, Alabama and the other in South Carolina -- so perhaps in the DCU's version of history, one of these old forts was reinstated by the Confederacy, only to be captured by the Union and put to their use (like what happened to Fort Donelson).  Or it could be that this Fort Charlotte was completely unrelated to either of them, and was located in an entirely different area (we know it's within fifty miles of a marshy field containing red clay, and that's near someplace called Henderson Plateau, but I can't find any place by that name).  Also, since we have no specific date, we don't know how much time passed between Jonah leaving that home in Tennessee and meeting up with his regiment (not to mention how he found them after being away for 4 months!), nor do we know how long Jonah waited before he confessed to his friend and comrade-in-arms Jeb Turnbull that his heart was no longer in the fight, and he planned on surrendering to the Union troops at Fort Charlotte:




Of course, it wasn't as cut-and-dry as all that, and Jonah's noble-minded solution to his conundrum led to the inadvertent capture of thirty-five members of his regiment, many of whom died when they tried to escape.  Jonah managed to get kill the fort's C.O. to avenge the death of his friend Jeb, but that wasn't enough to keep the survivors -- as well as Jeb's father, Quentin Turnbull -- from branding him a traitor.  It should be noted, however, that there's no record of the Confederate Army arresting Jonah Hex for treason, much less punishing him for deserting his post, and the lieutenant went on to serve under the Rebel flag for another two years.  Considering how long those men carried a grudge against Jonah, it seems reasonable that at least one of them would've tried to bring him up on charges.  If so, did they fail due to lack of evidence?  Perhaps this is why all references to the 4th Cavalry disappear after Fort Charlotte: Jonah may have requested a transfer to another regiment in order to get away from his former friends who now treated him as a pariah.  As for the matter of Jonah continuing on with the Confederacy after he'd made it clear that he didn't want to fight to uphold slavery, I daresay his back-to-back experiences with how inhumane the Yankees could be overshadowed his moral quandary.  Jonah most likely felt that he couldn't trust the word of either side now, but since he'd already thrown his lot in with the South, that was the side he'd stick with.


Early 1863: Incident at Vicksburg - In Jonah Hex #25, the bounty hunter goes to Lawrenceville, Kansas to visit an old cavalry buddy, who now owns a newspaper.  When Jonah arrives, the news office is on fire, and Jonah rushes in to help, saying, "Nate Ashin lost his good right arm savin' me f'um gettin' sliced in half by a Yankee saber at Vicksburg...an' now seems as good a time as any tuh tell 'im how much Ah've appreciated livin' all these past thirteen years since then!"

Due to the vagary of Jonah's reference to Vicksburg and the number of battles that took place near there, it's hard to figure out an exact date for this one.  We can narrow it down to 1863, since the story is dated 1876 and Jonah says thirteen years have passed since Ashin saved his life.  It could be Jonah's referring to the Siege of Vicksburg, which took place May 18th-July 4, but seeing as how the next two landmarks on our timeline -- which take place around that same period -- are both roughly a thousand miles away from Vicksburg, Mississippi and he'd have to cross that distance twice to make this work, it seems unlikely (it's the same problem that keeps us from placing Jonah at the Battle of Antietam back in September 1862).  The most likely answer is Jonah took part in an earlier, smaller skirmish at some point between January (after the Fort Charlotte Massacre) and April (when he'd have to head back east to Virginia and the next landmark on the timeline).

May 2, 1863: "Stonewall" Jackson Fatally Wounded - We return to Jonah Hex #37 for the second part of that flashback tale.  It's been nearly eight months since Jonah had his run-in with General Jackson, and though that previous encounter ended well for both men, this one would not.  Halfway through the Battle of Chancellorsville in Virginia -- which raged on for over a week -- Jackson was returning to camp in the middle of the night, only to be shot by Confederate troops, who mistook his group for a Union cavalry force.  In the real world, it was members the North Carolina 18th Infantry regiment that made the error, but in DCU history, it's said that Lieutanant Jonah Hex was the first to open fire.  The general was hit three times and would eventually die of complications from pneumonia on May 10th.

In All-Star Western #19, Palmiotti & Gray confirm that this tale also exists in "The New 52" timeline when somebody asks the bounty hunter point-blank, "You shot Stonewall Jackson, didn't ya, Hex?", to which Jonah replies, "On accident."

July 1-3, 1863: Battle of Gettysburg - The only references to this infamous battle are in Jonah Hex: Two-Gun Mojo #4, and they're done in passing, with no flashbacks to be seen (at least not for the reader).  The first one occurs after Doc “Cross” Williams stuffs Hex into a barrel and forces him to guzzle down some of his zombie-making elixir.  Though Jonah promptly vomits it up, he admits in the narrative that the stuff has affected him somewhat: “That night was long and as cold as a well digger’s ass.  I fought the Battle of Gettysburg all over again...and we lost again.”   Later on in that issue, once Jonah’s escaped and nursed back to health by a kindly farmer, we’re witness to a poignant exchange.  As the farmer loans him a horse, he confesses that he knows of Jonah’s outlaw status (long story short: Jonah’s been having some rotten luck lately).  “I was at Gettysburg too, Mr. Hex,” the farmer says.  “I was a private.  I seen how you did, and you damn sure ain’t no backshootin’ coward like that poster says.”

“That was a bad day for everyone,” Jonah replies, and you can actually see a tear rolling down his cheek when he says it.  Sadly, Jonah has never elaborated upon what exactly happened to him at Gettysburg, and we can’t infer anything else about his involvement in the battle due to the vagary of these two references.  We do know for certain that members of both the 4th and 7th Virginia Cavalry were present during the Gettysburg campaign, and that roughly 52,000 men were either dead, wounded, or missing by the time it was through, so no matter where or when Jonah came into that mess, there’s little chance he came through it unscathed.  That could be reason enough for him to keep his mouth shut about it.

1864: The Spoils of War - We can only put the vaguest of dates on this flashback from Jonah Hex #30, the first part of a three-issue tale.  The flashback begins when, according to the narration, Jonah's mind "races back a decade", and since the third part in JH#32 is dated 1874, we can presume the first part takes place around 1864.  We can't say for certain where this all takes place, however, other than it happens near an arroyo with some sparse woodland nearby.  Lieutenant Hex was scouting out the path being taken by a Union paymaster's wagon when a couple of Yankees took him by surprise.  They knocked him out and brought him back to camp for questioning, but other than name, rank, and serial number (which starts with 573, for those curious), he told them nothing.  Luckily for Hex, one of the members of his regiment, Corporal Eddie Cantwell, followed their trail and, after making the Yankees think they were under attack from a whole platoon, mowed them all down with their own Gatling gun.  Hex was appalled, and told Cantwell he had no right to kill all those Union soldiers since they'd already surrendered (despite the treatment Jonah had previously received from Yankees on two other occasions, it appears that he wasn't willing to stoop to their level when it came to prisoners of war).  Hex also didn't approve of Cantwell's idea to take the Yankee payroll for themselves, even when Cantwell threatened to shoot Hex, who eventually talked the soldier into doing the right thing and turning the money over their superiors, so as to fatten the Confederate war chest.

October 1864: Flushing out Yankee Spies - Back in 1999, there was a 12-part miniseries written by John Ostrander called The Kents, detailing the settlement of Superman’s adopted family in Kansas of the 1850s/60s.  By issue #8 -- which takes place during the final years of the Civil War -- we’re treated to a scene with Wild Bill Hickok telling some fellow Union scouts about a spy mission he and Nathan Kent (Jonathan Kent's ancestor) had just gotten back from (in truth, Hickok really did spy on Confederate forces for the Union, and even dropped out of sight for about a year due to it).  Seems the two of them had gotten caught behind enemy lines, and even worse, they were in the same camp as Jonah Hex, who knew Hickok was a spy, so the two men got out of camp as quickly as they could by riding their horses across the river the camp is located by.  Hex spotted them and opened fire, but they were too far out of range by that point, so he settled for yelling at them, "Maybe we'll meet again, Hickok -- when I don't hafta kill ya!"

Thanks to the mention of the Battle of Westport within the text -- which occurred on October 23-25, 1864 -- we know this took place in Missouri, with the river mentioned being either the Big Blue River or the Marais des Cygnes.  This would be the furthest west Jonah has been sighted during the entire War (the second-furthest being Vicksburg, Mississippi).  It's not impossible, just odd, though perhaps he'd been sent out there on another "special mission", like when General Jackson kept him away from his regiment for a spell in Jonah Hex #37.  Another oddity is that Jonah is shown to already have his famous facial scar:




Since we know those Yankees at Fort Donelson back in Jonah Hex (vol. 2) #13 whipped him across the face, I suppose we can write this off as an exaggeration of the damage done.  The oddest thing of all, however, is Hickok's claim that he and Jonah were already acquainted prior to the events of Jonah Hex: Two-Gun Mojo (remember that zombie elixir I mentioned earlier?  Ol’ Wild Bill got a snootful of it, courtesy of the Doc, and has a couple of shootouts with Hex throughout the story).  There doesn’t seem to be any indication in that miniseries that Hex recognizes Hickok to any degree prior to the Doc telling Hex outright who the big zombie cowboy is, and even when Hex does refer to Hickok by name, he seems somewhat doubtful.  Since the flashback in The Kents comes about from Hickok spinning a yarn, with no input whatsoever from Hex himself, it's hard to say whether or not the two men really had encountered each other before that day.  Since Lieutenant Hex's reputation had already spread through the Union ranks after only a year of fighting -- as evidenced by the officers at Fort Donelson knowing who he is on sight -- it could be that Hickok merely spotted Hex in that camp, and decided to build up his own reputation by claiming that Hex knew who he was as well.

April 23, 1865: Laying Down Arms - We're back to Jonah Hex #30 again, this time to witness Jonah's final surrender to Union forces.  This occurred two weeks after General Robert E. Lee surrendered at Appomattox Courthouse, Virginia on April 9th, and just over one week after President Abraham Lincoln's assassination on April 14th.  Since it took a while for word to get around about Lee's surrender, fighting continued on for over a month, so it's conceivable that Lieutenant Hex and his regiment -- here referred to as the 7th Light Cavalry -- were still battling Yankees just prior to their surrender at the Federal stockade in Lynchburg, Virginia.  The circumstances behind this are unknown, though it should be noted that they entered the stockade unaccompanied by Union soldiers, so it could be this was a voluntary surrender and not one forced upon them at gunpoint.  Considering what happened to Jonah two years earlier at Fort Charlotte, what could've persuaded him that he wasn't leading the men under his command into a trap that day in Lynchburg?  With no further information available, the question will remain unanswered.

1866: Same Uniform, Different Meaning - Jonah Hex (vol. 2) #36 seems the best place to end our timeline, for not only is it one of the few post-Civil War tales to show Hex without his infamous scar, it also does its best to explain why he still wears Confederate gray.  Set in Pulaski, Tennessee, roughly 530 miles southwest of Lynchburg, Virginia (and just over 100 miles south of Clarksville...did Jonah perhaps pay a visit to the Tennessee family that sheltered him after his ordeal at Fort Donelson?), we learn that the former Confederate originally kept his uniform simply because he had nothing else to wear.  Like many veterans of the War, he was stranded far from home with little more than the clothes on his back, so this was more a matter of necessity than a moral or political statement.  It was only after crossing paths with a group of white supremacists who mistook Jonah for a man with similar inclinations -- and making them pay dearly for the error -- that Jonah apparently decided to continue wearing the uniform long after the need passed.  As the narration near the end of the story informs us, "His insistence on wearing the Confederate uniform until the day of his death in 1904 stands as a symbol of personal shame, a cross to bear.  For he knew that anyone who saw the gray colors would greet him with hatred and revulsion.  Those who saw the gray coat and extended a hand, in friendship and the recognition of an idea which promoted the subjugation of another race, did so at their own peril."




Though our timeline ends here, we know very well what fate had in store for Jonah Hex after he departed Pulaski, Tennessee.  Somewhere on the horizon is a reunion with his adopted Apache tribe, as well as "The Mark of the Demon" they will bestow upon him, followed by his decision to become a bounty hunter.  The events of those four long and bloody years will resurface at unexpected moments for the rest of his life, however, as will the people he met during that time, so in a way, the Civil War can never truly end for Lieutenant Jonah Woodson Hex.





Sunday, April 5, 2015

Birthday Blues


It's April 5th once again (and Easter Sunday, to boot!), so it's time to give a nod in Richard Corrigan's direction and wish my fictional cowpoke a happy birthday.  Be nice to have some good news to go along with it, but sadly, I'm still searching for a new publisher.  That doesn't mean Richard's story is lacking any covers, though: when I'd make photocopies of the original manuscript to give to friends, I would ply my middling artistic skills and draw up a fake cover for the binder.  A hand-colored version of this pic -- with poses swiped from Jonah Hex #55 -- went to my good friend and unofficial editor Kerrie Moyer.  Reckon it don't look too bad.

Okay, time to get my butt to church.  Y'all have good day, and maybe this time next year, we'll have better news to report on the publishing front.

Monday, March 16, 2015

Of Kerfuffles and Contracts

I've been sitting on this for a couple of weeks, but I reckon it's time to let the general public know: Permuted Press has released me from my publishing contract.

Settle down, folks, you won't be able to hear the explanation if you keep carrying on like that.  First off, it's through no fault of my own, and I'm not the only one who got the axe.  I have no official count, but I'd say at least thirty people, including myself, are without a publisher now.  It may be far more than that, I don't know.

As for how it came about, I daresay it began back in October last year.  Permuted sent out letters to their authors informing us that they were making some adjustments to both their publishing schedule and business model.  A recent evaluation of their business practices revealed that they were spending more money on certain aspects of their business than they were making.  One of the biggest problems was the printing of actual, hard-copy books: the majority of Permuted's revenue comes from e-books, and the hard-copies of some titles barely sold one a year.  So they announced that they were rescinding their previous policy of automatically publishing hard-copies of every title.  From here on out, e-books would be the default offering, with hard-copies only offered for titles that they felt could actually move units (no more publishing a single copy for your Great-Aunt Tilly).

As you can imagine, many authors got upset, and some asked to be let out of their contracts.  I wasn't one of them: I contacted the powers-that-be and asked what would be considered the minimum number of hard-copies ordered that would make printing them out worthwhile to Permuted.  There wasn't a specific number, but I got the impression that a couple hundred would do it.  Considering that I'd need hard-copies to sell at both conventions and brick-and-mortar bookstores, I figured we could work something out when my release date came around in August 2016 (presuming it didn't get pushed back).  So I decided to stay.

Within a month or two, the "kerfuffle" (as we authors came to call it) faded into the background, and those of us who stayed with Permuted continued on with our work, be it gearing up for an impending release-day or (in my case) working on the follow-up novel.  In other words, life went on as before.  Then in late February this year, a note was posted in the private Facebook forum set up for Permuted authors: the company was "refocusing" their brand, so they were reexamining the titles that were scheduled to join the already-established Permuted Press lineup.  "Book by book, author by author, we evaluated how these projects fit within our new publishing strategy," they said, and had mailed out letters to each and every author in their stable, informing them of their place in this re-branded company.

Long story short: a Western sci-fi/fantasy novel by an unpublished author doesn't fit with their new publishing scheme, so they exercised a clause in my contract and let me go.  As I said earlier, I'm not the only one who got the axe, so I'm not taking it personal.  Yes, I am upset, but I'm not screaming my head off and/or damning Permuted to Hell.  I will say that, if this trend continues at Permuted, the company might not be around much longer, or at least fewer authors will want to sign with them since they can't be certain what Permuted will decide to change next.

As for myself, I'm in the midst of re-gearing my brain back towards the submission process.  I found out last week that HarperCollins is holding open submissions on a weekly basis, so I'll be sending them samples tomorrow.  If that doesn't pan out, I'll move on to some local publishers that I wasn't aware of a few years ago.  As my dad put it, I've got moxie, so I'll keep plugging away at this until I land a new contract.

Stay tuned...

Saturday, November 1, 2014

An Illustrated History of Jonah Hex (Part 12)



1987-1992: Fragments

Jonah Hex has always been a wanderer.  There were times during his first 15 years of comic-book adventuring that he took up residence somewhere, like homesteading with Mei Ling or hanging around New Orleans high society with Adrian Sterling, but those periods would always be brief, and he'd soon find himself out on the trail again.  After the cancellation of HEX -- Michael Fleisher's attempt to keep Jonah on comic-book shelves by giving him a sci-fi/superhero spin -- the bounty hunter started to wander down a different sort of trail, one that meandered through various titles as he struggled to find a home in an era that was unfavorable to Westerns.

The first stop on that trail was Secret Origins #21 (December 1987), the very last Jonah Hex story written by Michael Fleisher during his thirteen years with the character, making his final tally a whopping 126, one of the longest runs for a writer on a non-creator-owned comic.  With a cover by Jose Luis Garcia-Lopez and interiors by Gray Morrow, "Requiem for a Gunfighter" serves as an epilogue for both the character and Fleisher's "The Last Bounty Hunter" from 1978's Jonah Hex Spectacular, as it continues the tale of Jonah's stuffed corpse which, by 1987, has taken up residence in Frontier City Amusement Park in Laramie, Wyoming (roughly 50 miles away from Cheyenne, where Jonah died in 1904).  Once again echoing the strange case of Elmer McCurdy, a film crew accidentally discovers the "statue" in one of their shots is really a dead body, and a Princeton professor by the name of Lawrence -- who is said to have written "the definitive book" on Hex, and bears a resemblance to Fleisher himself -- verifies via photographs that the body is indeed the long-lost corpse of Jonah Hex:


Once news of the gruesome discovery hits the press, a few people with an interest in procuring Jonah's body step forward.  One is them is Mr. Lewellyn, a collector who will do anything to add the corpse of Jonah Hex to his private museum of Western memorabilia.  Another is Tall Bird, Jonah's widow: it was implied at the end of "The Last Bounty Hunter" that she'd died in the fire with Professor Michael Wheeler, Jonah's would-be biographer (seeing as they were both from Princeton, perhaps the foundation of Lawrence's book came from work Wheeler had completed before his death), but it appears that Tall Bird made it out alive, and now wishes to cremate her husband, just as she'd planned to do eight decades earlier.  Lawrence is asked by a representative of Frontier City to verify that she is who she claims to be, so he flies out to Wyoming and speaks at length with her.  Tall Bird is around 100 years old by now, but her memory is as sharp as ever, so after convincing Lawrence of her identity, he inquires about some aspects of Jonah's life that have gone unrecorded.  When he asks about the fate of Jonah and Mei Ling's son, Jason, she replies that "his is a tale so fraught with horror that I have vowed to carry it within me, in secret, to the end of my days."  Lawrence also brings up the events at the end of Jonah Hex #92:


While this scene helps to confirm that HEX remained in-continuity after its cancellation, it also neatly avoids answering the question of how Jonah got back to the Old West: Jonah didn't tell Tall Bird, so she can't tell Lawrence.  Why Fleisher didn't slip in the answer right there is puzzling, especially since the series ended 10 months earlier, but as Bob Greenberger told me when we spoke back in 2012, "DC doesn’t think enough about continuity conundrums such as how Hex returns to his proper era...Everyone knows he got back and gets stuffed and no one is bothering to tell the tale."  That's not to say that attempts to tell it were never made, as we'll discover later.

Back to the issue at hand: Lawrence continues to ask Tall Bird questions about what drove Jonah "to become the most renowned manhunter of his age."  Now Tall Bird gets talkative, spinning a yarn about an incident that occurred on Jonah's birthday as a boy (no specific year is given, but young Jonah says it's Wednesday, and since we know his birthday is November 1st, my perpetual calendar states that would make it either 1843 or 1848...knowing  Fleisher's track record, he was probably shooting for the latter).  Jonah's father presented the boy with a rifle, which came into play later that night when Woodson went off on a drunken tear and began beating Ginny for supposedly "slippin' around" instead of attending to her wifely duties.  Jonah grabbed his new rifle, presumably with the intent to shoot his Pa, but the man knocked his son to the floor before he could do it (if you recall, young Jonah also got a hold of a gun way back in Jonah Hex #27, but kept it well-hidden from his Pa...this incident here might be why).

The notion that Woodson Hex was a abusive man is nothing new to Lawrence (or Hex fans), but when Tall Bird tells Lawrence the rest of the tale the next day, as they stand before Jonah's stuffed corpse, the significance becomes clear: after being scarred with the "Mark of the Demon", Jonah went through what sounds like a bout of depression, where "he drank hard and often, to relieve the gnawing pangs of bitterness and defeat".  Between being shunned by his adoptive Apache tribe and ending up on the losing side of the Civil War, not to mention all the other indignities Jonah had suffered in his life by that point, the idea of him getting depressed and wanting to drink himself to death is totally understandable.  One night, while in the middle of a heavy drinking binge, he came across a man beating a woman in the street -- Jonah was so wasted, he thought the couple was his parents, so he shot the man in order to rescue his "mother", not realizing until the deed was done that he'd made a serious mistake.  Lucky for him, the sheriff showed up and told Jonah the man he shot was "Mad Dog" Lucas McGill, a wanted outlaw with a sizable reward on his head, then handed Jonah a wad of bills.  "Reward?!?" Jonah exclaimed, then dumped the money in the street and walked away as the people around him scooped it up.  It's not said outright, but the implication seems to be that Jonah Hex only became a bounty hunter in order to keep people from suffering the way he had his entire life, and that any reward money he collected for his deeds was secondary to this desire (I daresay this happened not long before the events of Jonah Hex #30-31 -- which features Jonah's first true bounty hunt -- and the two incidents occurring so close together helped Jonah make his career decision).  As Tall Bird finishes her tale, Mr. Lewellyn shows up with his two goons, ready to take possession of Hex's body, even if it means shooting both her and Professor Lawrence.  Lucky for them, someone's got their back:



Just as with Lew Farnham's assistant eighty-three years before, the stuffed and mounted corpse of Jonah Hex fatally shoots Mr. Lewellyn, but unlike last time, it's a little hard to write this off as accidental.  Tall Bird described Jonah earlier as a "restless spirit", and this seems to confirm it.  To be sure, Lawrence is convinced: "By tomorrow morning, we'll have you out of here forever, Jonah!  I-I promise you that!" he says over his shoulder as he and Tall Bird are escorted out of the park by police...but did he truly keep his promise?  The final panel is reminiscent of the one for "The Last Bounty Hunter", with Jonah being left on his lonesome in the middle of an amusement park.  The reader is left to presume that Jonah's body will soon be put to rest, but think of the paradox such an action would create: how can Jonah stumble across his own corpse in 2050 if it was cremated in 1987?  As Peter Sanderson wrote in SO#21's letter column, "there clearly is a great deal more of the saga of Jonah Hex yet to be told."  Sadly, Michael Fleisher would no longer be telling that saga.  He went back to college the same year HEX ended and, among other accomplishments, eventually earned a doctorate in anthropology from the University of Michigan -- his last official comics credit was in 1995, for the UK anthology 2000 AD.  It seems that, without Jonah Hex around, Fleisher lost interest in writing comics, and in more-recent interviews, his memories of those days has grown fuzzy, meaning some unanswered questions from his run (such as the final fate of Emmylou Hartley) will remain so.

After Fleisher's departure, it fell to other writers to decide where Jonah would appear next, and in what era.  One of the first to show interest was, surprisingly, Alan Moore.  In 1987, he submitted a proposal to DC that, despite having never been used, has since taken on legendary status: Twilight of the Superheroes, an epic tale which would have rivaled Crisis on Infinite Earths in scope.  The proposal itself is rather long and complicated, involving scores of DC characters, so we won't be discussing it in-depth here, only highlighting a passage that discusses the House of Tomorrow, one of the superhero factions that comes into being on a possible future Earth due to the machinations of classic Legion of Superheroes villain the Time Trapper:

"This is the House built by all the various exiles from other eras who have been trapped in this world by the Time Trapper's flux...since anyone passing through that strip of the timestream at any time in the "future" or "past" would be sucked into that time zone as well, there are a paradoxical number of past and future selves of the various time-travelers also caught there...It strikes me that amongst these travelers there might also be Space Ranger and Jonah Hex.  This might even be an opportunity to return Jonah Hex to his original western continuity where we know he will eventually end up according to previous DC history.  It would also be convenient to explain the so far unassigned radioactive hellworld that Hex's adventures have been set in as one of the maybe-Earths that exist in the fluke."

This was only a proposal, of course, and the finished product could have totally excised this idea, but intrigues me that Alan Moore actually thought enough of Jonah's predicament to include a way for him to escape it.  Of course, Twilight of the Superheroes would never come to be, so we can only speculate as to whether or not it would have been the key to Jonah getting home.  And while we're on the subject of speculation, let me indulge in a bit of my own regarding the four time-travel adventures Jonah took part in that were published before and during the HEX series.  By some strange quirk of fate, nearly all of them are dated after 1875, the year Reinhold Borsten pulled him from.  Continuity-wise, they couldn't have occurred until Jonah had been returned home by whatever unknown method, meaning we can slap an unofficial retcon on these tales and declare that Jonah Hex had previous experience with time travel during all of them!

First up is DC Challenge #2-3, where it's stated that the Jonah Hex seen there was from 1876 (presuming this crazy tale is in-continuity), so he must've lucked out and returned to the Old West not too long after he'd left.  In those issues, Jonah reacts very badly here to being dropped into another timeframe (namely 1985), but why would that be if he's already had one time-trip?  Maybe he's suffering from some kind of post-traumatic stress from being in that "radioactive hellworld" of 2050, and seeing all them automobiles and 1980s fashion choices has set him off.  If that's so, I'd say Jonah has got a decent handle on it by the time Justice League of America #159-160 rolls around.  There's no specific date given here, but since he hardly bats an eye at the notion of the Lord of Time plucking him out of the Old West and forcing him to fight strangers -- a scenario rather similar to what Borsten had in mind for him -- while his fellow time-warriors in the tale appear rather shaken by it all, I'd say this must occur post-HEX.  By 1878, when Jonah has his second brush with the Lord of Time in Justice League of America #198-199, he's got so much experience with future-folk that even Green Lantern shooting emerald bolts of light past his head causes him to do little more than cuss the hero out, and in 1879, he manages to keep the gawking to a minimum when he briefly gets tangled up in the events of Crisis on Infinite Earths.  As if these stories weren't odd enough reads the first time around, tossing in the notion that it's all "been there, done that" for Jonah takes them to a whole 'nother level.

Lest we forget, the events of "The Last Bounty Hunter" also take on a new spin: What was going through Jonah's mind in 1904 when Lew Farnham showed him the same outfit he found his corpse wearing?  To be sure, Jonah is giving Farnham a deathly glare throughout the scene, right before Jonah tells Wheeler that they'd best get back to hunting "a'fore we do somethin' tuh these two lunatics we'd be sorry fer later!"  Did he perhaps have to fight the urge to kill Farnham and his assistant on the spot in order to avoid the fate he knew was coming, or did he think walking away would be enough?  When he told Tall Bird about his trip to the future, did he tell her about the corpse as well, perhaps insisting that his body be cremated once he passed on?  Again, this is all speculation on my part, with no official weight behind it...though this won't be the last time we speak upon the subject of Jonah's fateful demise.

Nearly two years passed before Jonah appeared in a comic book once more, specifically Swamp Thing (vol. 2) #85 (April 1989).  While it can be read by itself, this tale -- written by Rick Veitch and illustrated by Tom Mandrake & Alfredo Alcala -- was part of a yearlong storyarc encompassing ST#80-90, wherein the plant elemental is falling backwards through time, stopping in various eras along the way.  This particular issue takes place on November 7, 1872 (just six days after Jonah's 34th birthday): Jonah and many other DC Western heroes have been hired by Jason Blood and Otto Von Hammer (father of "Enemy Ace" Hans Von Hammer) to take down Wise Owl and his pet demon El Diablo.  Little do they know that Wise Owl has another mystical force under his sway, namely Swamp Thing, who impales a bunch of nameless gunmen on what appears to be a thorn bush from Hell.  Jonah survives through "dumb luck", as he plainly puts it when Firehair and Hawk, Son of Tomahawk show up:



Jonah throws in the towel after this, leaving Bat Lash, Super-Chief, Madame .44, and Johnny Thunder to take care of Wise Owl (Jonah does show up later, playing cards with Lash as they wait to be paid for their trouble).  If you go looking for this issue, I recommend picking up the entire arc, at the very least to revel in the dozens of classic DC historical characters who show up over the course of the story.

Jonah turned up again exactly one year later in the Time Masters miniseries, which revolves around Rip Hunter using time travel to fight the Illuminati.  Now, before we get into it, I'd like to point out that Rip's life had intersected with the bounty hunter's on one other occasion, albeit in a very oblique way.  Just two months after HEX #18, it was revealed in the pages of Booster Gold (vol. 1) #15 that Reinhold Borsten's time platform -- the very device that dragged Jonah Hex from 1875 to 2050 -- somehow survived the destruction of the Needle, and was used by Rip Hunter in the year 2462 to return himself, Booster, and their friends to their proper time.  Jonah himself neither appears nor is mentioned in the issue, but since there are virtually no other references to Borsten outside of the HEX series, it seemed worthwhile to note it here.  As for Time Masters itself, Rip has no direct contact with Jonah: the closest he gets is in issue #2, when Rip discovers a time-worn Polaroid of Jonah, Bat Lash, Scalphunter, and Rip's friend Jeff Smith.  In Time Masters #3 (April 1990), we learn the photo had been taken in Oaxaca, Mexico on September 16th, 1874 (Rips says the date is visible on a poster in the photo).  "That would be right before Porfirio Diaz got himself elected president for the first time", he tells Jeff, though "right before" in this case means 1877.  Rip believes Diaz was a pawn of the Illuminati, so he sends Jeff back in time to kill the man before that can happen.

Jeff runs into the three gunfighters not long after he arrives back in 1874.  They've been hired to protect Diaz, so Jeff gets friendly with them in order to get close to the politician (Jonah also worked for Diaz in a roundabout way during Jonah Hex #9-10, which took place at some unspecified point in Diaz's presidency).  Any delight in seeing three Western heroes in one story is ruined by the poor characterization of Jonah throughout, while Scalphunter and Lash fare better only by virtue of having fewer scenes.  When Hex sees Jeff -- a black man -- for the first time, he wonders aloud if Jeff is a runaway slave (making Jonah sound like a stereotypical racist johnny-reb), and later on, while standing guard for President Diaz, he's caught napping on two occasions (and Diaz sneaks up on him, to boot!).  What little gunplay we see from Hex is fairly standard, and the majority of his dialogue so generic they could've had an anonymous cowpoke speak it and you'd be none the wiser -- there's very little fire here, no growled lines or crass remarks, save for Jonah telling Scalphunter at one point, "All I know is the pay's good.  And if you don't ask questions, you kin live to collect it."  One has to wonder if Jonah decided to cash in after he saw Jeff vanish in a flash of blue light following the man's failed attempt to kill Diaz:


Since this happened a year before Jonah's own time-trip, did the significance of what he saw occur to him after he ended up in 2050?  In hindsight, writers Bob Wayne & Lewis Shiner missed a real opportunity for a character moment here: had they instead set this around 1876, when Diaz actually launched the Plan of Tuxtepec in Oaxaca (which led to him becoming president), Jonah would've known all too well by that point what people vanishing in a flash of light means, not to mention he'd recognize Jeff's Polaroid camera as a piece of future-tech the second he laid eyes on it.  The next scene could've shown Jonah running out of that house like it was on fire, possibly dragging Scalphunter and Lash right behind him, 'cause any place where time travelers hang out is a place he doesn't wish to be.  Of course, going by the overall writing in this miniseries, I may be asking too much of them.

Jonah managed to wrangle two separate appearances in 1991: a ghostly, dialogue-free cameo in the fourth issue of the Books of Magic miniseries (February 1991), and an amusing four-page scene in Justice League Europe Annual #2, which tied into the Armageddon 2001 crossover event that year.  During the event, a time-traveling character named Waverider -- who was from a future ruled by Monarch, a superpowered despot -- visited various heroes and, by touching them, got a glimpse of where their lives might possibly lead them in 10 years.  His hope was to find out which hero would eventually become Monarch and stop him before he could kill all the other heroes.  A fairly straightforward premise, but since this is a Justice League title smack in the middle of the "Bwa-Ha-Ha era", writers Keith Giffen & Gerard Jones take it in the craziest direction possible: every time Waverider touches one of the JLE members, he sees nearly all them at some point in the past, or a point far ahead of 2001.  Rocket Red cavorting with King Arthur around Camelot, Power Girl fighting alongside General Glory in World War II, Crimson Fox getting hit on by Bat Lash in the Old West...by the by, did I mention the scads of cameos in this story?  Then Waverider gets to Metamorpho, and we're treated to something we haven't seen in four years: the post-apocalypse future of HEX as rendered by Giffen himself.



In regards to HEX, Giffen was quoted in Back Issue #14 (February 2006), saying that he "never had much use" for the character.  "When they turned him into the Road Warrior, I was really against that."  But he consoled himself with the fact that it was an opportunity to work with Michael Fleisher, whom he admired.  For all his dislike of the notion, Giffen obviously had some fun revisiting it: these four pages look better than what he delivered in HEX (though that may be the inker's doing), and Jonah's dialogue is humorous without being out-of-character.

By the end of the story, we find out that the reason Waverider saw all those JLE members scattered throughout history was because a time machine stored in the basement of their headquarters would blow up in 2001...but since this won't take place for another 10 years, Waverider is able to prevent the explosion from ever happening by shutting down a spy camera planted on Power Girl's cat, thereby creating a "butterfly effect".  This means Waverider just rendered all the previous scenes in the comic null and void, including Metamorpho meeting Hex (sorry, folks, I know it's confusing, but it's the truth).  Due to the way Waverider's powers work, he's the only one who actually saw all those possible futures, so when he tries to explain to them what he prevented, he's greeted with blank looks.  "Never mind.  Let us simply say that I have closed off an unproductive loop of history," he tells them, "and spared you all some difficulty."  He's also inadvertently closed off a way for Jonah Hex to get back to the Old West, 'cause you know if the Leaguers had shown up in 2050 to rescue Metamorpho, Jonah would've insisted on hitching a ride.

The Armageddon 2001 event spawned another miniseries the next year, titled Armageddon: The Alien Agenda, where Captain Atom continued the fight against Monarch, who'd been revealed as Hank Hall, AKA Hawk (a plot twist that's a story in and of itself).  As you probably guessed from the title, the overall story involves aliens that wish to destroy the Earth, so they talk Monarch into tracking down Captain Atom -- who's stolen their detonator -- as he flees through time.  Armageddon: The Alien Agenda #3 (January 1992) finds Captain Atom landing in the Old West, where he runs into a whole passel of DC Western characters, including Hex, who's only a minor player here.  The dialogue in the issue is mostly tongue-in-cheek, and writer Jonathan Peterson accidentally calls Firehair "Flame Bird", but we do get a great bar fight scene, rendered in fine detail by Alan Weiss & Joe Rubinstein:


There is one tiny mistake near the end of the story that puts a damper on things: during the slugfest between Captain Atom and Monarch, a powerful alien gun is accidentally discharged at the ground, setting off an earthquake, which soon ripples northward from the tiny desert town of Dry Gulch towards the San Andreas Fault, "and thus San Francisco suffers its greatest tragedy", according to the caption box on a panel that shows the bayside city being torn to shreds.  There's no date given within the story itself, but the image and wording heavily implies this to be the Great San Francisco Earthquake, which occurred on April 18, 1906...two years after Jonah Hex died.  One could ignore how young the artists made Firehair/Flame Bird look (when we saw him in Swamp Thing #85, he appeared to be in at least his 60s, befitting a character originally based in the early 1800s) or even write the fella off as Firehair's descendant, hence the different name, but putting a very-much-alive Hex in a story set after he'd been stuffed and mounted is a bit harder to gloss over.  The best we can do is be glad they didn't put a specific date on this, and keep in mind there had been other large earthquakes in the San Francisco area that preceded the 1906 quake, so maybe it's one of those instead.

All in all, Jonah only managed to rate a half-dozen appearances in the first 6 years after HEX folded, and the results were a mixed bag.  Things weren't likely to improve, either: without a regular series in print, he would remain at the mercy of whatever random wordsmith plucked him out of Comic Book Limbo...not the best position for any fictional person to be in.  Lucky for Jonah, a new frontier was just beginning to open up within the DCU, a place where surly ol' cuss like him would be free to drink and smoke and swear and kill to his heart's content.  Fleisher's idea of a Jonah Hex title that was truly for "mature readers" would finally be realized, thanks to a born-and-bred Texan who'd help bring the weird back to the Old West.